Unit information: Screen 2: Concepts and Practices in 2009/10

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Unit name Screen 2: Concepts and Practices
Unit code DRAM21004
Credit points 30
Level of study I/5
Teaching block(s) Teaching Block 1 (weeks 1 - 12)
Unit director Dr. Maingard
Open unit status Not open
Pre-requisites

DRAM11000, DRAM11001

Co-requisites

DRAM21000

School/department Department of Drama: Theatre, Film, Television
Faculty Faculty of Arts

Description including Unit Aims

This unit explores selected concepts and practices in film and screen media. Topics and issues addressed include: realism and representation; historical and institutional contexts of production, circulation and reception; genre structure, conventions and iconography; performance; performative environments; discourse analysis. Historical and theoretical concepts are approached with close reference both to mainstream production and to works that make innovative use of form and audio-visual techniques.

Aims:

1. To explore critically a range of screen practices.

2. To develop appropriate critical and theoretical approaches to the chosen practices.

3. To investigate in a chosen practical and creative manner one or more alternative languages of screen expression and (re)presentation.

4. To develop appropriate self-reflective analytical methods.

5. To develop production skills for screen practice.

6. To develop group-work project skills.

7. To be able to reflect on individual work within a collaborative production context.

Intended Learning Outcomes

1. To demonstrate sound knowledge of key secondary literature

2. To be aware of, and able to apply a range of established critical and theoretical ideas

3. To present a clear and well-structured argument, supported by relevant critical and theoretical literature

4. To present work that is consistently accurate in terms of its use of English and referencing

5. To be able to communicate verbally key ideas based on secondary reading and relevant primary texts

6. To demonstrate skills of time management

7. To plan and execute a research project

Plus as appropriate to the mode of teaching, that is, the combination of seminar and practice-based workshop and/or presentations:

8. To be able to write a reflective account of practical work

9. To be able to work constructively and creatively in a group-based workshop

10. To be able to work within the disciplines of production and project processes, working to deadlines and within production budgets

11. To work independently and reach individual/personal judgements within a collaborative context

12. To be able to reflect on individual work within a collaborative production context.

Teaching Information

Seminars, workshops, screenings, as appropriate.

Assessment Information

3,000-word essay + student presentation + 1,500-word write-up, or equivalent.

OR

Essay [2,500 words] [1/3 of total unit mark] + Assessment of short practical workshops, inc. preparation & participation in class; presentation/performance; and critical analysis [1,500 words] [2/3 of total unit mark]

OR

Assessment of long practical workshops, inc. preparation & participation in class; preparation & execution of technical production role; presentation/performance; and critical analysis [2,500 words]

Reading and References

Exemplary:

  • Agee , James ([1949] 2001), Comedys Greatest Era in Gregg Rickman (ed.), The Film Comedy Reader, Limelight Editions
  • Cavell, Stanley ([1981] 2000), The Same and Different: The Awful Truth in Pursuits of Happiness, University of Harvard Press
  • Clayton, Alex (2007), Body and Frame in The Body in Hollywood Slapstick, McFarland Press.
  • Kerr , Walter (1980), The Silent Clowns, Da Capo Press.
  • Lockyer, Sharon & Pickering, Michael (2010) (eds), Beyond a Joke: The Limits of Humour, London: Palgrave
  • Mills, Brett (2004), Comedy verit�: contemporary sitcom form, Screen 45:1, 63-78