Unit name | Theory and Practice of Literary Editing |
---|---|
Unit code | ENGL39013 |
Credit points | 20 |
Level of study | H/6 |
Teaching block(s) |
Teaching Block 1 (weeks 1 - 12) |
Unit director | Emeritus Professor. Karlin |
Open unit status | Not open |
Pre-requisites |
None. |
Co-requisites |
None. |
School/department | Department of English |
Faculty | Faculty of Arts |
The editing of literary works has been one of the most lively and contentious areas of study in recent years. It involves both theoretical and practical approaches to literature (e.g. the 'idea of the text' on the one hand, the material conditions of publishing on the other) and is of primary, though often unrealized, importance in students' own experience, since answers to some of the questions raised by the unit determine the kinds of text they read. The advent of online texts has made some of the issues surrounding editorial method even more pressing. The unit traces the origins, and analyzes the procedures, of modern scholarly editing of literary works, using both analytic and practice-based methods of study.
Aims:
One x 2 hour seminar per week, plus one-to-one discussion in consultation hours where desired.
Two summative essays: one of up to 2000 words (one third of weighting 33.3%) and one of up to 4000 words (two thirds of weighting 66.7%).
Editorial issues and problems in (among others) the Bible, Shakespeare, Keats, Robert Browning, Emily Dickinson, Joyce, and Robert Lowell.
Selected reading: