Unit name | Study of Art History |
---|---|
Unit code | HART10203 |
Credit points | 20 |
Level of study | C/4 |
Teaching block(s) |
Teaching Block 1 (weeks 1 - 12) |
Unit director | Mr. Lilley |
Open unit status | Not open |
Pre-requisites |
None Co-requiste None |
Co-requisites |
None |
School/department | Department of History of Art (Historical Studies) |
Faculty | Faculty of Arts |
This unit will provide students with a general overview of the techniques and terminology employed by art historians when approaching visual and architectural material. In particular, the Unit may cover the following: visual and architectural analysis; pictorial genres; architectural terminology; iconographic knowledge of both the classical and the christian traditions; and a basic sense of the problems and issues surrounding artistic intentionality and the contextual interpretation of works of art. The unit will examine the process of visual analysis and its interpretation in relation to painting, sculpture and architecture as well as developing skills in the use of scholarly conventions, accessing research resources, essay writing, and information technology.
Aims:
This unit will provide students with visual skills and descriptive and analytic vocabularies central to the continued study of art history. Thus the central objective of the unit is to encourage students to take a critical, analytic and historically informed approach to works of art and architecture, rather than engaging on a merely appreciative level.
The unit will equip students with a range of analytic skills, including the formal analysis of pictures, sculptures and buildings. Secondly, the unit will expand students' knowledge, especially in relation to the Christian and Classical iconographic traditions. Thirdly, the unit will expand students' vocabularies: they should acquire and deploy correctly the terminology appropriate to the formal, architectural and iconographic analysis of art objects and buildings. And finally, the unit will make students aware of some of the problems and issues surrounding artistic intentionality and the contextual interpretation of works of art.
Twice weekly lectures/workshops.