Unit name | Society & Culture in Nazi-Occupied Europe (Level C Special Topic) |
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Unit code | HIST10016 |
Credit points | 20 |
Level of study | C/4 |
Teaching block(s) |
Teaching Block 2 (weeks 13 - 24) |
Unit director | Dr. Cervantes |
Open unit status | Not open |
Pre-requisites |
None |
Co-requisites | |
School/department | Department of History (Historical Studies) |
Faculty | Faculty of Arts |
Special Topic units place students in direct contact with the research interests of academic tutors and allow them to explore issues surrounding the current state of research in the field. They introduce students to working with primary sources and place those sources in context.
This course re-thinks the ‘dark’ years when Hitler ruled most of Europe. Indeed the 1939-45 period cannot be reduced to an aberration, but must be understood as an inherent part of the construction of European culture and society. Using a variety of written and visual sources, it also aims to better understand the interrelationships between society and culture across Europe’s mid-century crisis. Initially, we will examine how governments used art and culture to impose a new social and/or racial order; we will then explore the socio-cultural changes which emerged from below. Whether it was clandestine dancing in Occupied France, or music-playing in the Polish ghettos, these were manifestations of the strong local identities which continued to exist despite the difficulties of war and occupation. Ultimately, material shortages, persecution and unprecedented opportunities paved the way to new forms of cultural expressions which continued after 1945.
By the end of the unit students should have:
Weekly 2-hour seminar
Access to tutorial consultation with unit tutor in office hours
2-hour unseen written examination (summative, 100%)
The examination will assess students' understanding of the unit’s key themes, the related historiography as developed during their reading and participation in / learning from small group seminars, and relevant primary sources. Further assessment of their handling of the relevant primary sources will be provided by the co-requisite Special Topic Project (HIST 13003)
Robert Gildea, Olivier Wieviorka & Annette Warring Surviving Hitler and Mussolini: daily life in occupied Europe (2006)
Shirli Gilbert, Music in the Holocaust: confronting life in the Nazi ghettos and camps (2005)
Claudia Koonz, Mothers in the Fatherland (1986)
Viktor Klemperer, The diaries of Victor Klemperer, 1933-1945: I shall bear witness to the bitter end (2000)
Irène Némirovsky, Suite Française (2007)
Le Corbeau (1943), Dir. Henri Clouzot